While reading, and enjoying, Carvell Wallace’s piece on Black Panther for The New York Times magazine, I was halted in my tracks by a sudden reference to the sacred watermelon of Lesotho.
Dredd is the best movie I’ve seen this year. It’s better than The Dark Knight Rises. It’s even better than The Avengers. It’s the best movie I’ve seen since The Immortals*. It is seriously good.
The Bechdel test, otherwise known as The Rule, determines whether a film, or any piece of popular culture, shows gender bias.
The rules are:
- There are two female characters
- Who talk to each other
- About something other than a man.
Before you scoff, try and think of a movie that passes. It will be tougher than you think.
For example, these all fail (yes I made this amazing gif!):
Shadows and Fog review
Spoiler level: Nothing that can’t be remedied with a blow to the head.
Shadows and Fog is a German expressionist murder-mystery, set in an unnamed Kafkaesque town in the middle of the night.
A serial killer is on the loose, and Woody Allen’s character Kleinman is reluctantly recruited into a group of vigilantes out to catch him. Continue reading “What’s the plan?”
Rambo: First Blood review
Spoiler level: First Blood is as old as me; if you haven’t seen it yet, tough.
I love this poster. I love the red mist, and the way they etched out Sylvester Stallone’s giant cake hair and gave it an outer glow. And then, because that would have been too subtle, added two more, progressively madder, Sylvester Stallones in the background. Rambo: First Two Clones.
I watched Mighty Aphrodite the other day. When I realised what it was going to be about, I checked the release date (1995), then I checked when Woody Allen left Mia Farrow for her adopted daughter (1992). This post basically wrote itself after that.